PRESS
What people are saying.
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“Appeared regal and queenlike in Rubies, they attentively placed her wrists and ankles in develope and arabesque positions. They seemed to be displaying her fantastic lines like a ruby would be displayed on a pedestal; and Addison's confidence recalled other powerful women in Balanchine's repertory, like the Siren in Prodigal Son. Her headpiece made me think of the crown worn by wonder woman" -
—loveDANCEmore 2018 George Balanchine's Jewels
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“Her hungry attack and spellbinding strength coupled with a new glow of confidence made her performance intoxicating.”
—Desecret News 2018
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“Delivering a superb solo, Katlyn Addison’s Tituba counters Souet’s characterization of the manipulative Abigail. Fragile, fluid and open – Addison is engrossing to watch, drawing grief as we come to realize her fate, her swansong elevated through Peter Salem’s score"
— Corr Blimey Previews, News, & Events Across Scotland
Press and Features
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Ballet West casts first Black Juliet, but to her, it’s more about the role than it is about race
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Talking diversity in dancewear with Ballet West’s Katlyn Addison
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Ballet West Breaks the Continuous Line
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26 Black Female Choreographers And Dancers You Should Know
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Ballet West First Soloist Katlyn Addison Answers Biscuit Ballerina's Questions!
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MIU MIU WOMEN’S TALES #14 (THE [END) OF HISTORY ILLUSION]
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What These Dancers Learned from 2020
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Ballet West's Katlyn Addison on Why She Wraps Her Toes With Hockey Tape & Other Dance Bag Essentials